Photography (5)

A Pig's Tale includes: 336 full color pages softcover edition a complete discography of the entire TMQ catalog of over 100 LPs and EPs well over 350 images of the albums, colored vinyl, and inserts the underground tale of how Trade Mark of Quality came into being This book is essential for record collectors and dealers.  In that hot summer of ’69 two longhaired music freaks created an underground LP record album of unreleased tracks by one of their music gods and put it out on the streets of Los Angeles. No one had ever been crazy enough to do such an audacious thing before. The god’s official record label was not amused but the music fans were thrilled. Were these guys pirates or heroes? It was so much fun the first time, they soon pressed up even more records of forbidden musical fruit. They were on a roll. The following year, in 1970, one of the culprits put The Pig image in a circular logo with the name “Trade Mark of Quality.” TMQ and Pigman were born! With a cast of outrageous characters, here is the story of Trade Mark of Quality aka TMQ aka The Pig, the first bootleg record label of its kind, spawning many later imitators. From the end of the '60s to the mid '70s, TMQ and Pigman led the way, trotting down a muddy trail, feeding the habits and needs of music addicts around the world. Who were these fellow travelers? Carl? The Greek? Merlin? Hans? Rob Snout? Casper? Sheldon? The Blue Hasslebeast? Ol’ Fred? (Not to mention, The Brooklyn Boys, The Record Suits and The Feds!) What was the connection between TMQ and the Viet Nam war, revolutionaries, guns, pot and the moon landing? It’s all here! Included in A Pig’s Tale is not only the Trade Mark of Quality and Pigman saga, but reproductions of all the rubber stamped and illustrated album jackets from every genuine TMQ record release, including the earliest releases from ’69 right up to the last titles in 1976. Everything you ever wanted to know about the real TMQ label is here: A complete discography of artists and track listings, sources of recordings, catalog numbers, master tape and record matrix info, colored vinyl pressings, record labels, graphics, photos, vintage news clippings, articles and more, all collected together, at last, in one volume. A Pig’s Tale by Ralph Sutherland and Harold Sherrick, with their unique point of view, guides the reader through the never before told history of Trade Mark of Quality. It’s all here for the music lover and fan, the hardcore record collector, and the just plain curious. WARNING! THESE EVENTS COULD NEVER HAVE HAPPENED IN ANOTHER TIME AND PLACE! (Pigman says, “Be cool, put some sounds on the turntable and groove on with ‘A Pig’s Tale’!”)  

Brian Jones: Butterfly in the Park is available EXCLUSIVELY from our site.  In the 1960s, Michael Cooper was a successful photographer working in the London music scene. His photographs were the foundation of album covers from the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band to the Rolling Stones’ Their Satanic Majesties Request. He was a fashion photographer for Vogue London, and collaborated on an early film adaptation of A Clockwork Orange featuring the Rolling Stones. He was as much a part of the culture of 1960s London as he was its chronicler. Michael photographed many of the icons of the counterculture movement of that unique period. But it was his close friendship with the Rolling Stones that formed the foundation for his extraordinary career. Brian Jones was the multi-instrumentalist band leader who arranged and designed the Rolling Stones’ musical direction, crafting a music fusion which has defined their sound and attitude ever since. He was the musical genius who created a cultural and musical phenomenon. Brian Jones: Butterfly in the Park collects over 120 images chronicling Brian Jones’ career, his life, and in many ways his relationship with Michael Cooper, who was ever at Brian’s side with his camera, ready to record Brian’s magical presence. Adam Cooper and his wife Silvia have opened the Michael Cooper Collection  archives to bring us an insider’s view of Brian Jones and the Rolling Stones in the recording studio, live on stage, at play with their friends in Ireland and Morocco, on the cover photo shoot for Their Satanic Majesties Request, and so much more. With an introduction by Paul Trynka, and new contributions from Donovan, Linda Lawrence Leitch, Andee Nathanson, Prince Stash Klossowski de Rola, Brian’s son Julian, and his grandson Joolz Jones, Brian Jones: Butterfly in the Park offers a unique insight into one of the most enigmatic and influential musical figures of the 1960s, as some of Brian’s friends recount their own personal experiences in nearly 9,000 words. Brian Jones: Butterfly in the Park comes in softcover, full color, 8.5x11, 154 pages. ISBN: 978-1-947521-31-5 Media one sheet. Download here. 

In the late summer of 1968, writers Terry Southern, William S. Burroughs, and Jean Genet were deployed by Esquire magazine to cover the Democratic Convention in Chicago. With photographer Michael Cooper and poet Allen Ginsberg inseparable parts of their coterie, the “fab 5” (as Michael Simmons dubbed them) were unflappable, capturing the calm and riding out the storm. These were turbulent times, as growing opposition to the Vietnam War inspired the Yippies to organize one of the biggest youth demonstrations of all time. Pot-smoking peaceniks descended upon Chicago from all over the country to protest the 1968 Democratic National Convention and the anticipated coronation of the Establishment candidate, Hubert Humphrey. Chicago was a Republican stronghold, and Mayor Richard J. Daley wanted to present a peaceful “law and order” city that wouldn’t tolerate any “outside agitators” or “unpatriotic” long-hairs. No one could have foreseen the unprecedented mobilization of tens of thousands of young people from all over the country, and the lengths to which Mayor Daley went to shut them down. Michael Cooper and Terry Southern, no strangers to absurdity and highly attuned to the strengths and aspirations of youth culture, witnessed the deployment of the national guard, a belligerent police force “run amuck” and rioting, and the outrageous aggression unleashed on the protesters on the streets of Chicago—harkening to the hugely funded militarization of police forces today, and the continual need for their reform.Chicago 1968: The Calm Before the Storm captures Michael Cooper’s celebration of his writer-friends and the protests in which they were playing a part—¬moments before the chaos and terror that became Chicago ’68. Accompanied by one of the great new journalism pieces by Southern, we have, with Cooper’s photos, an intimate and wry, world-weary account of a pivotal cultural moment whose city-sponsored violence has echoed throughout history and offers us a cautionary reminder for today. Chicago 1968 recalls the events of three fateful days in late August that must never be forgotten. Why we love this book... Chicago ‘68: The Calm Before the Storm documents the visual poetry, both in photos and written text, that is the Yippie Movement. We chose to publish this due to the timely nature of events mentioned in the book, as history often unfortunately repeats itself. Police brutality continues in prevalence, just as it did during the protests of 1968 at the Democratic Convention in Chicago. This piece of visual history includes never before seen photographs of the emotion, power, and intensity demonstrated during this time, and we are proud to publish this book at Genius Book Publishing, Inc. 

"If you see something about to happen, get it. Put the camera up and click. Two seconds later you won't have the chance again. You have to look for those stolen moments." Harold Sherrick is a career photographer, capturing musicians and concerts for almost 40 years. He has photographed everyone from Neil Young to Robert Smith, Dave Grohl to Joe Walsh, Tom Petty to Tori Amos. In Stolen Moments, Sherrick has included some of his most iconic photos, including rare images from his extensive body of work.